Numbered ends
Strict classic worry beads — Aramith billiard ball, no. 233
Aramith billiard ball
Worry beads rare material, no. 252
rare material
Worry beads rare material, no. 253
rare material
Worry beads rare material, no. 309
rare material
Worry beads rare material, no. 323
rare material
Cushions worry beads — Aramith billiard ball, no. 363
Aramith billiard ball
Cushions worry beads — Aramith billiard ball, no. 364
Aramith billiard ball
Worry beads rare material, no. 385
rare material
Cushions worry beads — Aramith billiard ball, no. 406
Aramith billiard ball
Cushions worry beads — Aramith billiard ball, no. 419
Aramith billiard ball
Strict classic worry beads — Aramith billiard ball, no. 423
Aramith billiard ball
Pogon worry beads — Aramith billiard ball, no. 430
Aramith billiard ball
Strict classic worry beads — Aramith billiard ball, no. 436
Aramith billiard ball
Hexagonal pogon worry beads — Aramith billiard ball, no. 443
Aramith billiard ball
Worry beads rare material, no. 450
rare material
Hexagonal pogon worry beads — Aramith billiard ball, no. 453
Aramith billiard ball
Narkomanki worry beads — Aramith billiard ball, no. 509
Aramith billiard ball
Narkomanki worry beads — Aramith billiard ball, no. 525
Aramith billiard ball
Cushions worry beads — Aramith billiard ball, no. 553
Aramith billiard ball
Hexagonal pogon worry beads — Aramith billiard ball, no. 669
Aramith billiard ball
Hexagonal pogon worry beads — Aramith billiard ball, no. 770
Aramith billiard ball
Hexagonal pogon worry beads — Aramith billiard ball, no. 782
Aramith billiard ball
Strict classic worry beads — Aramith billiard ball, no. 783
Aramith billiard ball
Mosaic worry beads — Aramith billiard ball, no. 792
Aramith billiard ball
Numbered ends are strings on which the flat end faces of the terminal (or all) beads carry numbering: carved or engraved digits. The name describes the technique literally — the numbers sit on the end face of the grain, where there is a flat area for crisp engraving. The purpose varies: the number may be the maker's mark and signature, an indication of a series or bead count, or simply a decorative-meaningful accent; in any case it signals that the piece is treated as a named, documented work rather than impersonal mass production. Technically the numbering requires a flat end face and a steady hand: the digits must be even in depth and read cleanly. Such beads are worked as usual — the numbering does not hinder the run, since it lies on the end faces rather than the working surface of the grain — but on the flip the numbers now hide, now reappear, lending the detail character. Sound and run depend on the underlying bead form. The model's signature is individualisation and a kind of passport for the piece. The technique shows best on dense, uniform materials with a flat end face that hold fine engraving — mammoth ivory, dense wood, horn and bone.