Gorbushki
Gorbushki worry beads — mammoth ivory, no. 86
mammoth ivory
Gorbushki worry beads — elephant ivory, no. 87
elephant ivory
Gorbushki worry beads — textolite, no. 242
textolite
Narkomanki worry beads — mammoth ivory, no. 264
mammoth ivory
Gorbushki worry beads — juma, no. 270
juma
Narkomanki worry beads — juma, no. 277
juma
Narkomanki worry beads — juma, no. 284
juma
Gorbushki worry beads — German colored ebonite, no. 305
German colored ebonite
Narkomanki worry beads — micarta, no. 344
micarta
Narkomanki worry beads — elephant ivory, no. 474
elephant ivory
Narkomanki worry beads — micarta, no. 484
micarta
Narkomanki worry beads — micarta, no. 485
micarta
Gorbushki worry beads — buffalo horn, no. 598
buffalo horn
Gorbushki worry beads — juma, no. 686
juma
Gorbushki are strings with beads of a convex, humped profile: each grain swells noticeably toward the middle in a smooth hump and draws in at the ends, giving the strand a rhythmic, wavy silhouette. The name is homely and pictorial — the form is called this for the distinctive little hump on every bead. The convex middle not only looks lively but seats comfortably in the pad of the finger: that hump is pleasant to catch when flipping, while the tapers toward the ends set a clear step along the cord. Gorbushki are worked confidently and with good control — the convex profile gives the fingers a handy purchase, the beads don't slip and flip predictably. The sound is collected, with a soft, rounded tumble and no harshness of edges. The model's signature is its expressive, three-dimensional silhouette and considered ergonomics: gorbushki are at once decorative and very hand-friendly. The form shows best on warm, dense materials that polish well and gain depth on the swells — mammoth ivory, aged wood, horn and amber — where the rounded hump catches a soft highlight and, over time, takes a finger-loved patina.